If your liberal friends are wondering why no one trusts the mainstream media anymore, show them this video:
If the boy cries wolf a thousand times, he can’t blame the villagers if they just tune him out entirely…
If your liberal friends are wondering why no one trusts the mainstream media anymore, show them this video:
If the boy cries wolf a thousand times, he can’t blame the villagers if they just tune him out entirely…
First came this story about NBC spiked Ronan Farrow’s story on Harvey Weinstein:
In February 2015, Farrow lost his daytime show on MSNBC and began working with NBC News’ investigative unit. In November 2016, Farrow and a producer named Rich McHugh decided they wanted to do a story about Hollywood’s “casting couch,” the longtime practice of producers and other powerful men exchanging sex with women for film roles, according to multiple sources familiar with the matter. The story was timed to be released around the Academy Awards, these sources said.
They presented the idea to NBC News President Noah Oppenheim, who suggested the team look into a October 2016 tweet by actress Rose McGowan that she was raped by a Hollywood executive, according to two sources with knowledge of the investigation.
Over the next several months, Farrow collected evidence that suggested Weinstein had a pattern of inappropriate behavior toward women, according to the sources and previous reporting by The Daily Beast, HuffPost, and The New York Times. Weinstein has repeatedly denied all allegations of non-consensual sex. Sources familiar with the matter previously told The Daily Beast that at least eight women accusing Weinstein had agreed to go on camera, including two alleged victims with their names and faces.
In an interview with The New York Times published Thursday night, McHugh accused “the very highest levels of NBC” of later stopping the reporting.
“There was not one single victim or witness to misconduct by Harvey Weinstein who was willing to go on the record. Not one,” the spokesperson told The Daily Beast.
By February, according to the sources, Farrow had secured an on-the-record interview with McGowan in which the actress said she had been sexually harassed by a powerful producer, though she did not name Weinstein. (McGowan subsequently named Weinstein during the NBC investigation, according to a source with knowledge of the story, but reportedly pulled her interview after being legally threatened by Weinstein, who had reached a $100,000 settlement with her in 1997 after she accused him of sexual assault.)
Farrow and McHugh also obtained a bombshell audio recording from a NYPD sting in which Weinstein admitted to groping Filipina-Italian model Ambra Battilana Gutierrez in 2015. (The Battilana audio was subsequently published by The New Yorker.)
“The tape on its own was color, it added to an already known accusation,” an NBC spokesperson said. While it was “absolutely significant” to hear Battilana’s voice, the spokesperson said, the tape alone would not expose Weinstein as serial sexual predator, as has been alleged.
NBC’s reluctance stoked Farrow and McHugh’s concerns about NBC’s commitment to the story, the sources said. Farrow did not respond to a request for comment. Ari Wilkenfeld, McHugh’s attorney, told The Daily Beast that his client “has no comment.”
In spring 2017, according to the sources, Farrow played Oppenheim the audio of Weinstein with Battilana admitting that he was “used to” groping women’s breasts. At one point during their meeting, according to two sources, Oppenheim had asked if people still cared about Weinstein.
“That is absolutely false,” a NBC spokesperson said, “and it is clearly contradicted by the fact that Oppenheim assigned the story on Harvey Weinstein in the first place. Obviously he understood him to be and believed him to be a newsworthy figure.”
Farrow had begun to suspect that Oppenheim—who moonlighted as a Hollywood screenwriter—was potentially communicating with Weinstein directly about the story, according to the sources.
During a meeting in summer 2017, Oppenheim mentioned to Farrow that Weinstein had raised objections to Farrow’s reporting—even though Farrow had not yet asked Weinstein to comment on the allegations, according to individuals briefed on the meeting.
“Externally, I had Weinstein associates calling me repeatedly,” McHugh told the Times. “I knew that Weinstein was calling NBC executives directly. One time it even happened when we were in the room.”
Read the whole thing.
NBC news not only spiked the Weinstein story, but provided an ever-changing list of excuses why and made legal threats against Farrow.
Here’s Tucker Carlson on how NBC keeps changing their story, and how MS/NBC News honcho Chuck Todd has a lot of explaining to do:
(Hat tip: Ace of Spades HQ.)
NBC’s live production of the Tim Rice-Andrew Lloyd Webber musical Jesus Christ Superstar on Easter Sunday was a fairly daring undertaking, in that hundreds of things (at a minimum) could have gone wrong, and only about a dozen did. Never mind that this isn’t the production I would have staged, or that its partisans (or fans of the individual singers involved) are already wildly overpraising it as “OMG the best thing EVER!!!!” It was a very solid, and very credible effort that took the source material (both the musical and the underlying Biblical story of Christ’s last few days) seriously.
The overall production design made no attempt at mimetic realism, depicting a open performance space surrounded by visible stage scaffolding with the audience on two sides, visible costumed musicians who wove their way in and out of the action, a graffitied wall backdrop, and cameras that looped in and out for closeups in the middle of the action (and so carefully choreographed they never appeared on screen).
Things that work:
There are two images that fully tap into the lasting power of the underlying story. One, where the sick overwhelm Jesus in the Temple:

That’s an apt visual metaphor: a broken world, desperate for Christ’s salvation.
So too does the final message of a crucified Christ ascending into heaven through a cross-shaped opening in the rear backdrop, backlit by light, make you willing to forgive the previous excesses in staging:

These impressions are proving not so brief. Possibly more later.
But they staged a credible production of a very difficult musical, and for that they deserve a lot of credit.
My mind is clearer now
At last
All too well
I can see
Where we all
Soon will be…
Not paying much attention to TV networks, this news caught me off-guard: NBC will be broadcasting a live performance of the Tim Rice-Andrew Lloyd Webber musical Jesus Christ Superstar this Easter Sunday starting at 7 PM CDT.
I am so going to watch the Hell out of that.
I would confess my love of Jesus Christ Superstar as a guilty pleasure but I’m honestly not the least bit guilty about it. It’s musically the strongest of all the “rock operas” that made it to Broadway in the late 60s and early 70s. Thanks to the power of the source material, it’s a much more compelling musical than any of Webber’s later work. Though Christians may object to portions of it (Judas is portrayed more as a victim of God’s machinations than The Great Betrayer), most of it the story is recognizably faithful.
And broadcasting a live musical on network television? That’s the sort of risk-taking that deserves to be rewarded.
I am curious as to whether it will include “Could We Start Again, Please?“, the song from the Broadway production that was not in the original (and far more famous) London pre-cast recording.
The torrent of Endless Media Pervbag revelations that started with Harvey Weinsetin has zoomed past water-hose, torn through fire hydrant, and is now at raging river conditions.
The latest skeaves caught? Today show host Matt Lauer and Prairie Home Companion windbag Garrison Keillor.
How skeazy was Lauer? Really, really skeazy:
As the co-host of NBC’s “Today,” Matt Lauer once gave a colleague a sex toy as a present. It included an explicit note about how he wanted to use it on her, which left her mortified.
On another day, he summoned a different female employee to his office, and then dropped his pants, showing her his penis. After the employee declined to do anything, visibly shaken, he reprimanded her for not engaging in a sexual act.
Oh, he also had a secret button to lock his office door from his desk.
You may wonder what genius at NBC approved that expense, but look on the bright side: They probably turned down his request to build a secret bondage dungeon as “too expensive.”
"Hey, boss, you need to sign this requisition."
"What's it for?"
"A button on Matt's desk allowing him to lock the door."
"Why does he need that?"
"Do you really want to know?"
"Good point. Here." https://t.co/ypbJ20FfVu— Joel Engel (@joelengel) November 29, 2017
More skeazy details here.
By contrast, the details about PBS canning Keillor seem considerably vaguer:
Garrison Keillor, creator of A Prairie Home Companion, has been evicted from his longtime radio home at Minnesota Public Radio after reported “inappropriate behavior” by the 75-year-old host.
MPR communications director Angie Andresen confirmed his dismissal in a statement posted to the broadcaster’s website Wednesday that did not detail the nature of the allegations. The organization announced it would “end its business relationship with Keillor’s media companies effective immediately.”
The broadcaster will erase Keillor, one of public radio’s most famous voices, from its air and website, including renaming Companion, the variety show he created in 1974 and hosted until 2016, when he retired and handed over creative control to his handpicked replacement, musician Chris Thile. In addition, MPR will no longer air rebroadcasts of Keillor’s old shows, nor will it produce or distribute his remaining syndicated series, The Writer’s Almanac.
I’m not a fan of Keillor, but it almost seems like someone at MPR had a long-standing grudge against him and used a single complaint to make him an unperson.
Said Keillor: “If I had a dollar for every woman who asked to take a selfie with me and who slipped an arm around me and let it drift down below the beltline, I’d have at least a hundred dollars.”
And who can doubt that women are irresistibly drawn to his smoking hot, sensual body?

And as long as we’re talking about Keillor, here’s The Simpsons on his special brand of humor:
Some final tweets:
Area Woman Quietly Satisfied To Have Concrete Evidence Backing Up Years-Long Hatred Of Matt Lauer https://t.co/2AOkQUwJsz
— Bosch Fawstin (@BoschFawstin) November 29, 2017
Termination of US news reporter Matt Lauer is devastating blow to enthusiasts of vapid morning banter with mindless celebrities. pic.twitter.com/Ppdc0Y70sw
— DPRK News Service (@DPRK_News) November 29, 2017
"So there we were, me on the door gun and Lauer squirming from the clap he picked up in Danang." pic.twitter.com/4cYnj0YZBN
— Cuffy (@CuffyMeh) November 29, 2017
I wonder if they rehearsed a kiss. pic.twitter.com/TbTRZLEPGu
— тѕαя вє¢кєт α∂αмѕ (@BecketAdams) November 29, 2017
So NBC/WSJ/Telemundo Polls Latinos did a POLL on Presidential candidates, and just happened to leave off Ted Cruz and Marco Rubio.
Funny how that could happen.
It’s less a case of the mask slipping than of NBC not even trying to hide the fact it’s an extension of the Democratic Party…